Notes from the Unexpected: The voices of Radio LoRa

Text and images: D.B. Miller

It’s Friday morning, just after nine, and the 31 trolleybus lurches down Militärstrasse into parts of Zurich not featured in guide books. As a man rushes past with an open can of Feldschlösschen, I think, Welcome to the neighborhood, until it occurs to me that the ladies at the Bürkliplatz market are probably knocking back their first flutes of Prosecco. At least he has somewhere he needs to be.


This scruffy sense of urgency is just as palpable steps away, at the studios of Switzerland’s first and Zurich’s only community radio station, Radio LoRa (a derivative of “alternative local radio”). The station, on air well before its first licensed broadcast in 1983, is still hell-bent on giving a voice to social and ethnic minorities, as well as less commercial music. Nothing unusual for a modern international city, some might say—but LoRa has survived threats, political pressure and a fire, still unexplained, which destroyed its first studios in 1986.

“The situation has definitely changed,” says Lea, the soft-spoken PR manager who is getting her Master’s in Middle Eastern affairs on the side. “Now we don’t have to worry about being shut down or censored.”

We are drinking black coffee at the communal kitchen table, which is covered in the contents of the next quarterly mailing: a newsletter, last-minute announcements and the inevitable deposit slip for donations. It’s quiet in the studios this morning, with the re-broadcast of one of LoRa’s many programs created by and for women. But the curly backs of peel-off labels, rising on the floor like snow, hint at late nights fueled by conviction.

“Many of the people who were here at the start are here now …” Lea breaks into a confessional smile. “Sure, some have gone on to start families, but the spirit is the same. We’re still the ‘opposition media’ and want to provide an alternative … for ideas, politics and music.”


If the concept sounds smooth, the listening experience is not. That, according to Radio LoRa, is the point. This is the station that dares to disrupt a mindless scan of the airwaves and has had this listener scratching her head at the language (22 broadcast) and the format (was that a whole side of vinyl?). In place of commercials and intergalactic promos, there is only music, dissent and the music of dissent. By design, LoRa is the unofficial broadcaster of the other Zurich—by default, a sonic archive of the city’s cultural shifts.

To some, it’s even more than that. “A second home,” says program coordinator Songül, and a haven from the “outside world” to those who don’t feel so welcome in it. “A community,” adds technical advisor Sami, where “anyone can create a show around his/her own interests and views.”

Well, almost anyone: sexists, racists and staunch SVP supporters need not apply.

Thirty-one years in, Radio LoRa motors on. As I leave the studios, a man outside gives me the finger. He is only painted on the wall, but the message is clear: get lost or listen, listen carefully, because right out there, even on the streets of Zurich, the world is burning.

Radio LoRa 97.5 MHz



Author: D.B. Miller

D.B. Miller is an American writer who has been living in Europe since 1995. As well as being a regular contributor to The Woolf, her essays, short stories and offbeat profiles have appeared in The Weeklings and Split Lip Magazine.

Share This Post On

Leave a Reply

By continuing to use the site, you agree to the use of cookies. more information

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.