“When we are growing up, we are in the midst of defining who we are and who we are going to be as we continue on into our lives. Stories that reflect that journey, in all kinds of ways, are incredibly relatable.” Sarah Sullivan and Brianna Stapleton Welch are the blogger-reviewers behind Slatebreakers: ‘finding feminism in Kid Lit and YA’. The Woolf asks them about their feminist lens, and exactly how they manage to get through so many books …
“While I check e-mail for the hundredth time, my friend stares ahead in tight-jawed concentration. She’s had a hard day but is hell-bent on getting not only the front row, but a very specific spot. When I pull out the sensible bag of fruit we’re calling dinner, she waves it away. The grapes are too tart, but I eat them anyway.” D.B. Miller on Stereophonics.
“The elements of location have to be sprinkled through the story with a light hand, serving to shine a light on the narrative and not distracting from it. Huge chunks of location, just like huge chunks of ill-disguised research, serve to pull the reader out of the story and that’s the last thing a writer wants.” The Woolf talks to novelist Charlotte Otter.
“I’m lucky to represent some fabulous writers, but I’m always on the treasure hunt for new writing talent and consider the slushpile to be the greatest place on earth.” Julia Churchill and Sara O’Connor comet to Zürich for a full-day workshop: Writing for Young People. Sat 25 January 2014. 09.00-17.00, Volkshaus.
Images that were used in The Woolf’s Autumn 2013 ISSUU issue: Crossings.
Distractions A migrant’s tale: Shaun Tan’s graphic novel, The Arrival. A moving outsider’s tale with barely a word in sight. Where to read online: http://flavorwire.com/407418/the-25-best-websites-for-literature-lovers Synaesthesia – crossing senses. Check out the worlds of David Eagleman, expert on the idiosyncrasies of the brain. http://eagleman.com/synesthesia Coney. “The experience starts when you first hear...
“Out came books about hallucinogenic plants, collected during my debauched youth. Dimly remembered information about neurotransmitters wended its way into the story, along with arcane laboratory details about paper chromatography. Easy. More or less.” The Woolf talks with Gabrielle Mathieu, novelist who lives in St. Gallen.